Harry Toulch:
The iconic eyewear shop on Saint-Laurent Boulevard

A rimless frame: nothing surrounds the lens, so your face is what people see first. Sixteen models in eight finishes, from rose gold to matte black by way of forest green. And since the lens has no rim, we can adjust its size and shape to suit you. Winner of the SILMO d'Or 2025.

Moscot is a family of opticians from the Lower East Side, five generations behind the counter. Thick acetates and shapes that crossed the century without moving: the Lemtosh, the Miltzen. The frame you recognise across a room, and the one you keep for ten years.

Oliver Peoples began with a bulk purchase of 1920s frames and built its whole style on it: muted tones, thin hinges, nothing that shouts. For people who would rather the frame did not speak on their behalf.

Every Ahlem model is named after a Paris street or district, and everything is made in France. Very clean lines, in titanium or matte acetate. The most restrained brand in the drawer.

Engraving, pierced metal, sculpted bridges: Matsuda makes the most worked frames we carry, and each one takes hundreds of operations. For people who are happy to have their glasses noticed.

Masunaga is the oldest Japanese eyewear brand still in business, in the city that makes most of the country's frames. Titanium, hand finishing, featherweight: the kind of frame you end up forgetting on your nose.

No screws, no welds, no rivets: on a Lindberg, the hinge is a folded strip of titanium. A pair weighs a few grams and adjusts to the millimetre, temple by temple. This is what we hand to anyone who has never tolerated a frame.

Garrett Leight was founded by the son of an Oliver Peoples co-founder, with looser shapes and lighter acetates. Good value for the drawing, and sizes that suit smaller faces.

Wayfarer, Aviator, Clubmaster: the three Ray-Ban shapes everyone recognises. We fit them to your prescription, in clear lenses as well as sun.

Founded by two veterans of the eyewear trade, Bill Barton and Patty Perreira. Frames made in Japan, rich colours and finishes worked by hand: classic shapes with a Hollywood polish.

One of Japan's oldest eyewear houses. The name means “the turtle lives ten thousand years”, and the frames live up to it: fine titanium, round shapes and finishes that age well.

Komorebi is the Japanese word for sunlight filtering through leaves. Fine, discreet frames, made to be worn every day without a second thought.

A Montreal house that draws on vintage eyewear: generous acetates, visible rivets and shapes from another era, reworked for today.

Lunor takes its cues from historic eyewear and builds it with German precision. Fine metal, clean lines and timeless shapes, for people who want a frame that never goes out of style.

The house founded by Miuccia Prada brings its playful side to eyewear: cat-eye shapes, bold tortoiseshell and its logo set on the temple. Frames that are meant to be seen.

The Paris fashion house, in frames: sharp lines, deep black acetate and refined metal. Sober and sure of itself, like the rest of the house.

Thierry Lasry designs eyewear with character: thick acetates, strong colours and shapes that do not go unnoticed. For people who see their glasses as part of their style.

Tom Ford eyewear is recognisable by its metal “T” at the hinge. Square and generous shapes, polished acetates: a polished, confident look.